" George Sugarman, New York, Hunter College, 1998, p. 8. Davis also points out the similarities betweenSugarman's work and Frank Gehry's architecture, especially his Guggenheim Bilbao. (5.) See Holliday T. Day, Shape of Space: The Sculpture of George Sugarman, Omaha, Joslyn Art Museum 1982, p. 16. (6.) Artist's statement in George Sugarman, Tokyo, Contemporary Sculpture Center, 1993, unpaginated. (7.) Day, p. 42. (8.) Ibid., "Recollections," p. 88. (9.) Irving Sandier, Art of the Postmodern Era: From the Late 608 to the Early 908, New York, HarperCollins, 1996, p. 144. (10.) Compare Bardana and Ritual Place with Silverthorne's Untitled (Fragment), 1996 [A.i.A., June '97, p. 100] or Wiener's Ball, 1993 [A.i.A., Nov. '95, p.105]. "George Sugarman" was seen at the Gallery in the Fine Arts Building, Hunter College, New York [Feb. 18-Apr. 11, 1998]. The accompanying catalogueincludes texts by the curator Stephen Davis and by Robert Storr. Sugarman was also included in a recent three-person show at Tatunz Gallery, New York[Feb. 2-Mar. 20]. His newest large-scale public sculpture will be inaugurated in Palma de Mallorca, Spain, in July, as part of the Universiada SculpturePark. LANGUAGE: ENGLISH IAC-CREATE-DATE: April 23, 1999 LOAD-DATE: April 24, 1999 1999, LEXIS-NEXIS, a division of Reed Elsevier Inc. All Rights Reserved. ...
