awn to the man and woman engaged in intercourse. The lines in this series affect the expressive content of the piece by representing emotion in their turmoil. The Lisovicz 5artist was feeling somewhat crazy about his surroundings in the world and tried to express them with the use of lines.Shape: As oppose to Mondrians studies of color, Pollock's works are totally organic in figure. All of the lines and objects or shapes in these works are made in a rhythmic way sort of a dance, if you will. Once again, we find that Pollock has given us a picture of human emotion.Mass: The artist does not use the picture plane as a 3-D plane. Instead he uses it a flat plat. These pieces are meant to jump at you for their content and emotion and not for their ability to look deep.Space: The space is a very significant part of this series. Just that the works are broken up into a series proves Pollock's use of space. The artist wants the viewer to move through the work picking up the pieces and then taking them all in as you move along to the next one. This work consists of a group of thoughts and not just one idea. Color: The color scheme in the series is quite simple, but the idea behind it seems complex. The usage of only black and white signifies the primitive emotions of man. In a true feeling, you have no colors or other things disturbing the emotion. The only thing present in true feelings is the desire to get exactly what you want. This is the message the Pollock is relaying. Lisovicz 6Texture: In this technique the art does not have any texture. These are perfect reproductions of the original. These are magnificently done so that the only things printed on the screen are the exact etchings or impressions of the stencil.VII. ContentThe main focus of these works that Pollock was trying to get across is that all human emotion is crazy and that the world around us is filled with very alive wild things. Once again, this series...
