edication and pious religious reverence, Federico is portrayed as a beautiful Christian ruler. He is pictured in profile, exposing only the left side of his face. This perspective hides the hideous scarring on his right side where he had lost his right eye while involved in a joust when he was younger. Viewers can clearly make out the numerous marks and scars on his face and the protrusion of his bulbous nose indicates where the once shattered the bridge of his nose failed to heal correctly. Despite his many scars and disfigurements, the Duke exudes an extremely regal and dignified bearing. He is proud of his many achievements and is presented surrounded by a number of prestigious chivalric awards. Although does not conform to the stereotype of a good-looking Renaissance man, by exuding such poise and nobility of character the Duke adds another aspect to the image of masculine beauty.The Duke has also included in his portrait his greatest treasure – his son Guidobaldo. Angelic yet radiantly fragile, Guidobaldo bears the sceptre that signifies the continuation of the Montefelro dynasty. By including the image of his son Federico alluding to the dynastic assurance of the Montefeltro succession, while also celebrating the importance he places on the Family and particularly his role as Father. Obviously the concept of beauty presented in this portrait contrasts vastly with the depiction of feminine beauty described previously. Although the Duke seeks to downplay his hideously disfigured features, he certainly does not conform to a stereotypical image of attractive Renaissance masculinity. Despite the fact he was a professional soldier, the Duke presents himself in a reverential setting with his son – highlighting his well-rounded nature and the importance he places intellectual pursuits and his role as a parent. Through his mission to enlighten and cultivate artistic excellence the Duke came to represent the Christian ideal of a...
