ind the Curtains".Through her portrait Frida is saying thank you while still teasing her former lover with her seductive irresistible image. She is acknowledging Trotsky's's effect soon to be felt as the "bomb", being Frida, bursts through the "ribbon." The "ribbon" is the pain and suffering, the limitations and frustrations caused by Diego. The "ribbon" represents a Frida truly becoming an artist in her own right. She, of course, realizes the role Trotsky played in this revelation as evidenced in the Self Portrait she presented to him on the seventh of November, 1937, "with love." With girlish fascination Frida flirted with the political idol only to find it was she to be admired and idolized. Kahlo combats the struggle of a woman presenting herself as if announcing, "Yes, I am to be looked at, to be noticed, to be remembered and to be fantasized!"...
