op Art examples is for the most part quite different, although there are some similarities. George Segal’s piece is a white plaster figure on a wooden chair with a vinyl seat pad. The figure is sitting sideways in the chair, with her right side being closest to the back of the chair. The right arm, at about the elbow, rests on the upper most of the three horizontal wooden supports that make up the chairs back. The arm then bends upward to support the buldgeing head of the figure. The right leg extends out, bends at the knee, and continues down eventualy landing the right foot on one of the two horizontal supports connecting the chairs legs. The front support is strait and lies in between the front two legs of the chair. The other support is connected to all four legs, and it is the one that the figure’s foot is placed on. It extends strait back from the front legs and then bends to the inside of the back legs forming a “u” shape. The foot’s location on this support is the section in between the front and back chair legs on the side that the figure is facing, and the foot is touching the front leg. The left leg of the woman models the typical position, extending out then strait down, with her foot on the floor. The left hand is in the shape of a fist and is placed in between the figure’s legs in her lap. Warhol’s Lavender Disaster is silk screen ink and acrylic on canvas. This picture is made from a total of fifteen square shaped prints in three colums and five rows. This is not to say, however, that the rows and colums are all in alignment. Some prints are crooked and even overlapping, making the picture look as if it were hastily thrown together. The color of the prints is the same screaming violet for each, though there is some variation in tint, contrast, and clarity. Generaly speaking, the images become darker and more obscure as they go across the rows from left to right, an...
