n combination with use of mythological figures to show the divinity of the Caesar, brought Roman propagandistic art to a new level. The Augustus of Prima Porta is an excellent example of such Greek influences. The body of this sculpture is based on that of a Greek God figure such as the Hermes, by Praxtiteles. The artist who was responsible for the carving of the Augustus highly modifies the so-called perfect form in order to convey certain symbols of power.The most notable difference between this work and the original Greek works is that the subject is clothed with extravagant armor and drapery. The decorative breastplate worn by Augustus in this portrait is a symbol of empirical conquest, specifically, the defeat of the Parthians. The unusual magnitude of his arms is a symbol of the supreme authority he held over his empire. At his feet, a small sculpture of Cupid was carved in an attempt to show Augustuss divine lineage (Cunningham and Reich, 150). Every aspect of this portrait is highly idealized and centered around the greatness and divinity of Augustus. Because little attempt was made to capture the actual physical appearance of the Emperor, this sculpture can not be considered a portrait but more accurately, a profile of greatness. Such works display the political domination and lack of originality in Roman art. The simplification of art during this period reflects an overall simplification of thought and decline in the importance of intellectualism in western culture....
