h century. The vanishing point lies on the central angelic statue above the arch of Solomon’s throne. The lines created by the checkered floor and the landscape in the background suggest the depth and distance of this image. Francesco del Cossa filled the space he had. All space is taken advantage of by detail of architecture and people. The arches and circular lines may suggest motion. As a whole, this painting is very geometrical with the twelve-sided frame, the repetition of the arches and the line of people represented across the lower half of the work. The people in this painting are telling. The viewer first notices the Queen of Sheba and Solomon, who are at the so close to the edge of the floor that if they took one more step they would step to the ground. Their hands just slightly touch, but do not hold eachother, as if they would rather not have their hands that close together. This may suggest that this marriage is not a ceremony of love, but one of necessity. This is also reflected by their eyes, which do not meet. In fact, Solomon appears to be in a daze, almost possessed. The Queen of Sheba has a slight smile on her lips but her down turned eyes make her seem sad. The subjects on either side of the Queen and Solomon are interesting as well. Almost every woman appears to be in the “correct” place. They seem quite proper with their hands clasped in a similar fashion behind the Queen. They appear to be supporting her. The men behind Solomon are less organized. Two men, one in a bright red cloak, appear to be having a conversation of their own, taking away from the important event that is depicted. There is a mysterious man in black in the background at the right. He is leaning against his own small archway; his hat and dress are unlike the others’. He holds a strange red object at his waist. There is also a small woman wearing all black in the lower left part of this painting. She...
