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The History of Art

nce. Continuous narrative themes surfaced and depth and light were utilized in new and exciting ways. Donatello’s St. Mark sculpture is so life like it looks like it could walk right off the cathedral wall and Giotto’s The Lamenation in fresco show psychological and emotional reactions that have the same effect. His use of dimension and depth was a precursor for future arts to follow. Giotto’s themes mirrored Plato’s theories of art while Leonardo de Vinci began Using Aristotle’s in the form of geometric and mathematical calculations in his art works.Baroque art differs from that of the Renaissance in various significant aspects. Renaissance art exemplified calm and reason and Baroque was violent and full of emotion and energy. Greater color contrast, more vivid bright colors, light and dark brings about a complexity not seen in the simplistic Renaissance artwork. The leading interpreter in this era was Bernini. His theatrical styles of grand gestures bring an innovative look at the evolution of the human form from the ancient world’s crude compositions to believability. In fact, his subject is in ecstasy in his marble, gilt, and bronze statue of St. Teresa in ecstasy. Rococo an eighteen-century style, originating in reaction to the grandeur and massiveness of the Baroque era employed refined, elegant, and highly decorative forms. Although an extenuation of its preceding period Rococo is smaller in scale and color schemes are softer. Because the concepts of linear perspective and other technical skills had been discovered during the Renaissance artist could paint and sculpt very realistically, some of them started to paint very idealistic themes. Typically, these romantic pieces of art exemplify park like settings in a most wonderful and fictional manner. As we enter the modern world we see art fragment or branch out into various schools of thought such as Neo-Classicism a continuation fro...

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