where the eye is tricked into seeing an impossibly three-dimensional object. Here, an obviously three-dimensional subject is shortened to appear flat, due to the lack of contrast between near and far distances.The photograph “Flor de Manita, 1925” shows great equity between figure and ground shapes. It is a plant that has large sweeping curves, but because of the darkness of the subject and the lightness of the background, if viewed from a distance, the nature of the subject is obscured and one sees only white and black shapes that harmoniously coexist with one another. This is a staged photograph taken in a studio, which is quite unlike most of Modotti’s other work. This fact confirms that this equity is not accidental as it may have been if the photo had been taken spontaneously in nature, but rather, every shape is considered in this beautiful sensual image.The photograph entitled “Campesinos, 1926” exemplifies the technique of pattern and repetition, to a point where there is no focal point. Modotti wishes to emphasize “the entire surface of [the] composition over any individual elements. Not one person is the authority in this picture. Every man is equal here. The repetition and absence of a focal point create a sense of unity in this community. It shows that they all have something in common; be it a city of dwelling, socioeconomic class, or political view. This powerful image supports Modotti’s revolutionary and political goals and moves the viewer by showing what power can be produced when humans join together for a common goal....
