he nation, and the need to support the consumer world.One particular pop artist, Andy Warhol, was often recognized as the father of pop art. Warhol first introduced his own illusionary world of pop art to the public with his interpretation of the Campbells soup can. Never before has such an everyday object like a soup can been viewed as a work of art. This was a perfect example of how advertisements were not only seen as pleasing to the eye, but also played a large role in the advertising world. Warhols 100 Cans beats a repetitive visual tattoo whose power derives from the insistence of similar commercial imagery in the daily lives of the public. (Ocvirk, 305)Like most things often do change, pop art also began to change, taking on a whole new creative perspective. Images of women began appearing more frequently in pop art. These new images portrayed women in a sexual manner the way that past societies have often depicted women, or the way they envisioned their women to look and behave. This new imagery of women was again displayed through Warhols artwork. His series of Marilyns became not surprisingly popular after her death in 1962. The Twenty-Five Marilyns is a perfect representation of this new representational style of women. As pop art developed more, so did the types of subject matter that became associated with pop art. The mid-1960s introduced artists such as Allen Jones who steered away from everyday objects as his focus of subject matter. He was notorious for outraging feminists, as his subject matter depicted women in scenes of bondage and subjugation. (Packer) This new representation of women in pop art was shocking to the public eye. In past art styles, womens bodies were often positioned in a way that was pleasing to the male viewer....
