er), now in Chicago guiding a growing Unitarian community, helped his nephew Frank to find the position. During his short time with Silsbee, Frank began his first project, the Hillside Home for his Aunts Nell and Jane. Maybe because he wanted to break away from the Lloyd-Jones clan's aid, or because he was impatiently moving forward, Frank left his first job within a year and found a position with one of the best known firms in Chicago at the turn of the century, Alder & Sullivan . Sullivan was to become Wright's greatest mentor. With the new industrial age, came a growing suburban population, and a division between home and work. While the firm of Alder & Sullivan concentrated on the demand for downtown commercial buildings, Wright was assigned the residential contracts. His work soon expanded as he accepted jobs outside the firms assigning. Sullivan discovered this in 1893 and called Frank on a breach of contract.Wright referred to him as "Lieber Meister" and admired Louis Sullivans talent for ornamentation and his of drawing intricate plans and designs. Wright picked up on the philosophy of Sullivan and was so loyally devoted to his employer that he soon moved ahead of Alder in importance within the firm. Sullivan was extremely critical of classicism which was appearing across the USA during the 1890s in reaction to the 1893 Chicagos world fair exhibits. Wrights relationship with his employer caused great amounts of tension between Wright and fellow draftsman, as well as between Sullivan and Alder. When Wright left the company, Sullivan's quantity of contracts declined quickly. Sullivan had reached his peak of innovation, and without a young prodigy to carry it on into the new century, many potential clients turned away. Wright would call on his "Leiber Meister" when Sullivan ran into economic and personal troubles, his international reputation had dwindled by 1920 and Wright found him rejected, ignored, penniless, and dealing with ...
