interiors of a buildings varied little, as he philosophized that one should move naturally into a shelter, feeling a certain flow rather than an abrupt transition. Wright often used the colors of autumn in the Midwest, however red was his signature especially in 1930's. For light he relied heavily upon the sun's power, and many of his building included skylights or subtle electrical lighting. The ornamentation should compliment all this, not distract from it . Treating the building as a integral unit, Wright often designed down to the littlest detail including all dining ware, furniture, and statues. His geometric designs were interpretations of nature. In furniture, textiles, and accessories, all designed by Wright, simplicity, respect for nature, and dignity if the individual was considered. His was an architecture of democracy for an era of political freedom. It is apparent Wright felt no constraints from the popular culture and faced harsh criticism many times for his works.REFERENCESBoulton, Alexander O. Frank Lloyd Wright: Architect: An Illustrated Biography, Rizzoli International Publications, New York, 1993. Gill, Brendan, Many Masks: A Life of Frank Lloyd Wright, G.P. Putnam's Sons, New York, 1987. Heinz, Thomas A., Frank Lloyd Wright: Architectural Monographs No 18, St. Martin's Press, New York, 1992. Lind, Carla, The Wright Style, Simon & Schuster, New York, 1992..Secrest, Meryle, Frank Lloyd Wright: A Biography, Alfred A. Knopf, Inc. New York, 1992.....
