aph the film insisted that Goldwyn hire her. If it hadnt been for Berkeley, Lucy may have never came to Hollywood. Another break came when a mother of twelve girls refused to let one of her daughters appear in a Hollywood movie. At the same time Lucy was starting out so was Betty Grable. Betty could sing or pretend to quite effectively, but Lucy couldnt and that made her feel inferior. Since Betty was more talented then Lucy, Lucy tried to imitate her by dying her hair blond. When Lucy wasnt working on a picture she would hang around the set trying to secure better parts for herself. During this time Lucy was dating Mack Gray a friend of George Raft. Gray was Rafts bodyguard-companion because Raft was a front man for the Mafia in New York. Raft also lent her money responding to the pleas that she was float broke. He allowed her to ride in his limousine with a chauffeur. Years later she tried to repay him but he wouldnt hear of it. Roman Scandals was directed by Frank Tuttle in 1933, which Lucy appeared with Kay Harvey. As Kay Harvey remembers one day, I came on the set one day to find ŒQueen Lucy, as we called her, riding a beautiful brown horse. She was wearing a scanty costume, with a long blond wig floating around her shoulders. The crew dubbed her Lady Godiva as she elegantly rode that poor, tired horse back and forth before cameras while we were lighted for a shot (Kay Harvey). Kay also remembers that while she was riding she almost accidentally crushed a chorus girl who fell in front of the horse. After she completed several more Goldwyn films she was not exactly miserable, but she was not pleased either. She wasnt happy with her next film, Blood Money, directed by Rowland Brown. After that picture she was loaned to United Artists for a tiny part as a chorus girl in the Constance Bennett picture Moulin Rouge. She took no interest in her next few pictures: Bottoms Up, Hold That Girl, Bulldog Drummond Strikes Back, The Affairs ...
