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Lucille Ball

ther. She wasnt happy with her next film, Blood Money, directed by Rowland Brown. After that picture she was loaned to United Artists for a tiny part as a chorus girl in the Constance Bennett picture Moulin Rouge. She took no interest in her next few pictures: Bottoms Up, Hold That Girl, Bulldog Drummond Strikes Back, The Affairs of Cellini, or Kid Millions. Lucy very badly wanted to go to Columbia, the studio that specialized in knock about comedies. She felt that she could grow there. As an act to get fired she would purposely be late getting to the set from break time in Kid Millions. Lucy finally got her interview with Harry Cohn at Columbia. The casting director looked at her and decided right on the spot she would be perfect as a dumb broad. Instead of being cast in that feature she was thrown into a short twenty minute part in Perfectly Mismatched. In 1934, she found a modest frame house located at 1344 North Ogden Drive in Hollywood. She borrowed the down payment of $65 from George Raft. She hit rock bottom in Three Little Pigskins, starring the Three Stooges, whose idea of comedy was tweaking noses, smashing pies into peoples faces, and dumping cans of paint on to peoples heads. She didnt like this kind of comedy. By this time Lucy was unhappy in Hollywood. Columbia had only signed a contract with her to do bits. She decided to wire her family in Jamestown to tell them to come to Hollywood. She told them that she had no career and that she was still poor. They packed their bags and were off to live with Lucy. She sent the fares for everyone and was relieved that Ed Peterson would not be joining then and that her mother and him were divorced. No sooner had the family came that Columbia decided to disbanded the comedy team to do more prestigous films. While Lucy was out taking a walk on the street, she ran into a friend, Dick Gree, who said there was an opening for a showgirl at RKO and were paying $50 a week. RKO needed her to p...

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