ming in here with her, and now she was showing them how to do it, walk slow and hold yourself straight.He continues to give physical descriptions of her hair, chest, and the royal like gait in which she carried herself. These socialites were defying the conservative middle class norms by wearing not only swimsuits with no shoes, but dropping their straps and inhibitions at the door. They were in a class by themselves. Sammy in his middle class environment was more street level with his knowledge and storytelling skills. This is further supported by the comment, Walking into the A&P with your straps down, I suppose its the only kind of face you can have[prim]. She held her head so high her neck, coming up out of those white shoulders, looked kind of stretched, but I didnt mind. The other two girls provide filler while Sammy is formulated the rest of his dramatization. Very little is said about them and the chunky one seems to have an eye for cookies. The girls continue their defiance social norms and walk into an aisle against other customers. It is here that the rest of the store takes notice to the girls. But they are merely sheep in passing, they have no identity to Sam, nor does he waste his time including them to his creation. The homemakers are house slaves, an appropriate term for the time and era. The aisle of their emergence is marked by light bulbs and discount records and cellophane wrapped candy bars. Sammy is interrupted only enough to catch two bums buying large amounts of pineapple juice. Again people but no names just derogatory juxtapositions. The kingfish marks a changing point for story. He visualizes her high society parents sipping cocktails and conversating over crackers and various finger foods. Meanwhile he portrays his own parents to sip lemonade and if necessary Schlitz in tall glasses. The Socialistic manager admonishes the girls and demands them to be clothed next time. The customers were all bunched up on S...
