stitution for the middle finger sign.The colors of the work are balanced by a virtuoso composition of a cubist character. The picture's space is divided endlessly. More images start to appear. The world of "Drunken Santa" vitalizes to almost chaotic state. The work is a treasure. It depicts and witnesses the intangible mechanism of reality transformation. In the state of intoxication, what happens to the solid world of sober state? Everything disappears. It is just like the dream-world, that we call unreal, because when we are awaken it is not there. Just so the solid world must be unreal because it also vanishes in the drunk or deep-sleep states. Then what is reality? In "Drunken Santa," this problem is elaborated to the triumphant conclusion. The simplicity of symbolism of the warm and cold colors. The dazzling composition of figuration superimposed to abstraction. And besides the beauty of artistic logic, Jaisini's works are marked with the rich, magnetic colors, as in "Drunken Santa" and others, strikingly attractive pictures in their intricate game of light and shadow, in their absolute congruence of visual and conceptual.Review of oil painting "Drunken Santa" by Paul Jaisini Text copyrights by Yustas Kotz-GottliebAll rights reservedNew York, 1999send private comments to author Yustas61@aol.com...
