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Ethnographic Paper

nd Zero. The beige bricks hugged the building, and the dark brown door begged me to come in. As I stepped out of my car, the sign that said Ground Zero displayed just a sample of the art that I found inside. There, above the wooden door, mounted on the bricks, was a woman lying in a black net hammock, wearing a simple pink bikini. The soft colors of the drawing looked as if it were airbrushed to the canvas. The purple and pink neon sign said open, and I reassured myself I’d be fine. I made my way to the door and a chime sounded when I pushed it open. The music of Sublime was playing in sound speakers around the room. My feet dragged on the beige carpeting until I approached the glass display case to see what was inside. I found a number of tongue, belly, and earrings in every size, shape, and color. Directly in front of me was a cow skull and horns hanging off of the white wall. I peeped my head around the corner and called for someone to talk to. When Jared, the piercing artist, approached me he fulfilled some of the stereotypes I had about the employees of the business. He is a tall, thin, Caucasian guy, about 24 years old. Jared didn’t have very much muscle, and I didn’t see any tattoos on him. What he did have was his ear holes stretched out to fit those tiny black plastic dots, and a chin piercing that defined his lips. To my right was the waiting area that holds about 8 customers at a time. It looked fairly comfortable considering the girls occupying the seats were there to about undergo pain for the sake of decoration. They began to fidget as they were looked at the variety of tattoos. There were posters and posters of their art.The walls were painted a rusted dark red that went along with the Texan theme. Located near the chairs were shelves that held a few candles. That wasn’t what caught me off guard. The candles had pictures of Jesus on them. To my left I saw the famous painting of the Last Supper, wh...

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