Data Bases • Custom Term Papers • Free Term Papers • Free Research Papers • Free Essays • Free Book Reports • Plagiarism? Links • Top 100 Term Paper Sites • Top 25 Essay Sites • Top 50 Essay Sites • Search 97,000 Papers @ DirectEssays.com • Search 101,000 Papers @ ExampleEssays.com • Search 90,000 Papers @ MegaEssays.com Free Essays • Term Paper Sites • Chuck III's Free Essays • Free College Essays • TermPaperSites.com • My Term Papers • Get Free Essays • Essay World • Planet Papers	Search Lots of Essays Back to Subjects - English Father and Son1 Father and Son1 Just whom is Edmund Gosse’s Father and Son written for? Is it for the Father, or for the Son, or, as Edmund Gosse tells us, for the public, so they can have a record of life in a rigidly religious family? Edmund begins his book by telling you that it is a historical record, an important chronicle that is to be used, basically as a reference for a period of time. Yet, in the first sentence of the first chapter, we can see that this is truly not his purpose. The first words on the page does not reference a historical event; they are, instead, cathartic. Edmund tries very hard to convince his reader that “this is not an autobiography” (217). Try as he might, he did not persuade me. I will grant that for Edmund Gosse to profess to have written this book as if it were a biography of his father, or even as a historical chronicle, was beneficial. First off, by writing something which is to document a period of time Edmund would be writing in the methodical and scientific style of his father, which then would mirror the lifestyle in which he is forced to live. Secondly, Edmund wants the reader to see his father as he did, with honor, awe, resentment and even shame. Edmund does this quietly, he does not shout his shame, he merely reiterates it as a anecdote of a story “...his very absence of imagination aided him in his work. (113)” . Finally, Edmund, being able to portray this book as a portrait of someone other than himself, is a chance to humble himself, no matter what he says about the father, to the reader. All of these methods that Edmund uses to sway our thinking actually serve only to benefit Edmund Gosse himself. This actually makes it more of an autobiographical account than not. If you count the number of “I’s” in this book, you will find yourself into triple digits (I actually tried this). This is not the only narcissistic angle of the book. Even when reiterating episodes in the life of the Gosse’s he does it in reference to himself. If this were to chronicle “two temperaments, two consciences....two epochs (35)” there would be more than one perspective. Do we once hear of Philip Gosse’s reactions or feelings about his wife dying? We do not, we merely get the reactions of what he does from his son. Do we know what he thought those nights alone without his wife? No, we do not. Edmund did not take the time to find out. He even apologizes when he said, “Had I been older and more intelligent, of course, it might have been him, and not of myself that I should have been thinking (80).” Yet, still thinking of himself, he states, “This is not to be dwelt on here (80).” Of course it isn’t Edmund, it is an autobiography, it is about you. Edmund, we know would argue that. He tries to take the spotlight off of himself. Being the type of person that he is, the always goes back to talking about himself. In the last numerical chapter of the book, Edmund tells of an apocalyptic event, a noteworthy action worthy of ending a book on...his transcendence into heaven. His epiphany is quickly grounded by reality. Nothing happens. His ego is shattered. HIS ego, Edmund’s ego. This catalytic event puts an emotional and spiritual division between father and son that puts “the thick o’ the world” (235) between them. Although in the Epilogue Edmund is apologetic for having the son (himself) in the foreground of the book, he continues to end the book in exactly the same fashion. Edmund gives you an almost check-off list of his father’s life, “extreme solicitude, disappointment and disenchantment....etc.” all of this in one paragraph. Edmund then, once again, changes from “He’s” to “I’s” and tells of his reactions to his father’s incessant “postal inquisitions (236)” and suddenly the focus back upon himself. That this is an autobiographical book, I have no doubt. For even in the final few pages of the book, Edmund askes the reader if he may “speak plainly (248).” Funny how he asks permission now for what he has been doing throughout the book. Edmund feels that he surely “has a right to protest (248)” the final action that he shows us of his father. His father’s letter is represented at the end for selfish reasons. Only when the reader sees the inflexibility and the “defiance” of the father’s letter can Edmund end with the sympathy of the reader. Edmund’s final act of narcissistic manipulation has us cheering when he ends his autobiography by him “throwing off the yoke of dedication ...and fashioning an inner life for himself (251).” If I could have....I would have liked to given this to Edmund Gosse’s “Your children are not your children. They are the sons and daughters of Life’s longing for itself. They come through you but not from you, and though they are with you, yet they belong not to you. You may give them your love but not your thoughts. You may house their bodies but not their souls, for their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams. You may strive to be like them, but seen not to make them like you. For life goes not backward nor tarries with yesterday. You are the bows from which your children as living arrows are sent forts. The archer sees the mark upon the path of the infinite, and He bends you with His might that His arrows may go swift and far. Let your bending in the archer’s hand be for gladness; For even as he loves the arrow that flies, so He loves also the bow that is stable.” Bibliography: Word Count: 1001
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