to life. Because the Blacks of the Civil War era were the direct ancestors of the children of the 60’s, many African-Americans felt a need to separate themselves at all costs from their oppressive histories (Selzer 72). Dee Johnson is no different, and she is intent on proving her superiority to the oppressed and uneducated Black American. The contribution of the African heritage movement to Dee’s elitist personality is manifested in her decision to change her name to Wangero: “ ‘She’s [Dee] dead…I couldn’t bear any longer being named after the people who oppress me’ ”(Walker 283). While a stunning example of Wangero’s perceived superiority to the average Black American, other examples clearly indicate Dee would count on this. Upon exiting the car wearing a “loud” dress and “dangling” (Walker 282) jewelry, Dee greet her family by saying, “ ‘Wa-su-za-tean-o’ ” (Walker 283). Although this word is never translated, Wangero’s use of foreign language in the presence of her relatively uneducated family is a clear indication of her desire to exhibit her intellectual superiority. Dee’s behavior implies that the changes in her personality are simply examples of her ancestry and newly found consciousness of intellect; however, her true motivation clearly stems from insecurity and selfishness. The incident with the quilts reveals Dee to be a product of trend. Dee initially had no desire for the quilts, but later becomes interested when Black-American heritage becomes fashionable. Dee Johnson is clearly an aggressive and potent force to be reckoned with consequently; her actions reveal immense insecurity and turmoil. Insecurity forces people to despise those who feel secure and peaceful about their lives. Momma and Maggie own nothing of material value; however, both possess the one thing Dee desires: peace. Dee is unable...
