e expansion of the story line(Hamblin 4). Altogether, Conrad’s style of techniques all play a significant role no matter howminor or major the elements of his style may be. Psychological and sociological perspectives have also played a dominant part, whichincludes experiences in both dreams and truth, including his forms of expression in multiplicity,ambiguity, and irony. Psychologically, Conrad causes his characters to become lost in their ownimagination during their dreams, usually to reveal heroism and lacking reality towards the feelingof heroism (CESNP 1276). In understanding the novel from this point of view, the reader has tosolve the novel from its puzzling complexity to comprehend both the character and plot (CESNP1277). “He is interested in life, but he does not love it; and in detaching himself as an artistentirely from life, his interest in it has actually become greater, has become interest and nothingelse (TCLC 199). This simply means that if he grows away from reality, his thoughts becomefulfilled with interest in creating a great novel from imagination. Sociologically, Conrad createsan atmosphere around the characters in creating two groups “of those who conquer and thosewho are conquered.” Uniquely, Conrad is variant from a sociologist, since he is not neutral and isscientifically disjointed from the statement made. Conrad, in other words, experiments more onthe psychological side of his novels rather than on the sociological side (Dintenfass 6). As fortruth in Conrad’s literature, he is known to include the truth from both the mind and the essenceof encounterings “and it is these kinds of truths..that art, and art alone, can convey to us”(Dintenfass 5). In addition to this, moral ethics takes a part to make this statement clear toreaders in saying that both purpose and wrong is evil, and the moral is opposite from this. In respect to Conrad’s forms of expressi...
