ernational Shoe Co. in St. Louis,” and that, “art is made out of symbols the way our body is made out of vital tissue,” any “play that is more of a dramatic poem than a play is bound to rest on metaphorical ways of expression.” (Adler 29). Adcock 9Works CitedAdler, Thomas. A Streetcar Named Desire. Boston: Twayne Publisher, 1990.Bedient, Calvin. “There Are Lives that Desire Does Not Sustain: A Streetcar Named Desire.” Kolin 45-58.Bloom, Harold, ed. Modern Critical Interpretations: Tennessee William’s A Streetcar Named Desire. New York: Chelsea House, 1988.Corrogan, Mary Ann. “Realism and Theatricalism in A Streetcar Named Desire.” Bloom 49-60.Falk, Signi. “The Southern Gentlewoman.” Miller 94-102.Harris, Laurilyn. “Perceptual Conflict and the Perversion of Creativity In A Streetcar Named Desire.” Kolin 83-103Kazan, Elia. “Notebook for A Streetcar Named Desire.” Miller 94-102. Kernan, Alvin. “Truth and Dramatic Mode in A Streetcar Named Desire.” Bloom 17-19.Kolin, Philip. “ It’s only a paper moon”: The Paper Ontologies in Tennessee William’s A Streetcar Named Desire.” Modern Drama 40 (1997) : 454-467.Kolin, Philip, ed. Confronting Tennessee William’s A Streetcar Named Desire. Connecticut: Greenwood Press, 1993.Miller, Jordan, ed. Twentieth Century Interpretations of A Streetcar Named Desire. New Jersey: Prentice -Hall, 1971.“Signs in Detail: Virgo.” 11 November 2000 *http://www.astrologynow.net/virgofr.htm*.“Tennessee Williams.” 10 November 2000 *http://encarta.msn.com/encarta/Contents*.Adcock 10Williams, Tennessee. A Streetcar Named Desire. New York: Penguin Group, 1974...
