Canadians throughout their history have been concerned over the status of their national literature. One of the major problems facing early Canadian writers was that the language and poetic conventions that they had inherited from the Old World were inadequate for the new scenery and conditions in which they now found themselves. Writers such as Susanna Moodie, Samuel Hearne, and Oliver Goldsmith were what I would consider "Immigrant" authors. Even though they were writing in Canada about Canada their style and their audiences were primarily England and Europe. These authors wrote from an Old World perspective and therefore were not truly Canadian authors. It took a group of homespun young writers in the later part of the 19thCentury to begin to build a genuine "discipline" of Canadian literary thought. This group, affectionately known as ‘The Confederation Poets', consisted of four main authors: Charles G.D. Roberts, Bliss Carman, Duncan Campbell Scott, and Archibald Lampman. The Poets of Confederation "established what can legitimately be called the first distinct "school" of Canadian poetry"(17, Keith). The term ‘The Poets of Confederation' is a misnomer since not one of these poets/authors was more than ten years old when the Dominion of Canada was formed in 1867. However, all of these writers were aware of the lack of a distinctive Canadian literary tradition and they made efforts to create one for their successors. While each of these men had their own distinctive writing style they all sought to contribute and create a ‘national' literature. According to R.E.Rashley in Poetry in Canada: The First Three Steps " there is no Canadian poetry before [The Confederation Poets] time"(98). These men were the first in a long line of authors and artists to conceive of the need for a discernible national literature. The Confederation Poets function was to "explore the new knowledge that they had acquired of themselves tha...
