nose of his Essex automobile. Complicating Hazel's confused conceptions of entrapment, sin, and Christianity is the episode involving the Melsy carnival, at which Hazel and his father pay to see a woman lying in a coffin. Hazel's father has a lustful reaction to the woman; he says "Had one of themther built into ever' casket . . . be a heap ready to go sooner" (32). Haze's "shut-mouthed" mother, who O'Connor describes as having a "cross-shaped face," senses Haze's guilt when he returns home (32-33). Telling him that "Jesus died to redeem you," she whips him with a stick, leaving him with a "nameless unplaced guilt" (33). The actions of his parents leave Motes unable to distinguish what is good and Christian from what is forbidden and evil. He associates his grandfather with Christianity but alsoentrapment; he associates entrapment with the carnival episode, in which his father treated the woman as desirable but after which Hazel was made to feel guilty. Hazel Motes's Christian upbringing continues to be significant in later chapters of Wise Blood. Several characters notice an inherent goodness in Hazel that shows through despite his determination to deny it. The FROSTY BOTTLE waitress, who says, "I know a clean boy when I see on e," warnsthe "nice boy" Hazel to stay away from Enoch, lest he be corrupted by the "goddamned son a bitch"(46-47). Hazel responds, "I AM clean," making it evident that he means something different by the word "clean." Near the end of the book, Mrs. Flood notes Motes's Christian-like ways: "You must believe in Jesus or you wouldn't do these foolish things. You must have been lying to me when you named your fine church. I wouldn't be surprised if you weren't some kind of a agent of the pope or got some connection with something funny" (116). Motes, even in trying to become a living negation of his grandfather's principles, cannot escape his Christian origins. In his article "The Cage of Matter: The World as Zoo i...
