ned the dominating male's sense of control. By having the narrator be forced to write in secret, "There comes John, and I must put this away -- he hates to have me write a word," Gilman was able to show that even the simplest things, like wanting to write were forbidden, lest the male approved (392). Prohibited from working and not being able to contribute to the household as a proper wife, the narrator begins to feel helpless: "So I am absolutely forbidden to work until I am well again. Personally, I disagree with their ideas" (390). The narrators husband and brother both exert their own will over hers, forcing her to do what they think is the appropriate behavior for a sick woman. She has been given a "schedule[d] prescription for each hour in the day; [John] takes all care from me" (391). The way that she is required to act involves practically no exertion of her own free-will. Instead, she is expected to obediently accept the fact that her own ideas are mere fancy, and only the opinions of the men in her life can be trusted. The fact that she is not allowed to think for herself is narrowing the extent of her authority in her life and of her autonomy.With no creative outlet her mind starts to find things upon which to dwell, things that only she can see. Virtually imprisoned in her bedroom, supposedly to allow her to rest and recover, she slowly starts to go insane. Without compassion or an outlet for her creativity, her mind turns inward and focuses on her now increasingly shrinking universe. She has no say in the location or the decor of her room: "I don't like our room a bit. . . But John would not hear of it" (391). She is not allowed visitors: "It is so discouraging not to have any advice and companionship . . . but he says he would as soon put fireworks in my pillow-case as to let me have those stimulating people about now" (393). In large part because of this oppression, that John offhandedly bestows, both her mental and phys...
