this time could not fully face but that he would learn to face--most noticeably in `Asphodel, That Greeny Flower.'" In this "elegiac epithalamian," Williams confesses his infidelities to his wife and asks for her forgiveness; "he seeks new life on the very edge of death," said Whitaker. While Williams proclaimed his life as a husband in his love poem, his strength as a poet was evident, too: "Asphodel" received some very complimentary reviews, including W. H. Auden's praise as "one of the most beautiful poems in the language." "Asphodel" was among several of Williams's highly esteemed later works. Prior to his 1952 stroke he had been under a taxing three-book contract at Random House, a contract he fulfilled with The Build Up, Autobiography, and Make Light of It. The hurried writing of the Autobiography, evidenced by its many factual mistakes, as well as the worry over the Library of Congress debacle, have both been cited as contributing factors in his declining health. But Williams's weakened physical powers, apparently, strengthened his creative ones. "I think he did much better work after the stroke slowed him down," reflected Flossie. Stanley Koehler agreed. The Desert Music and Journey to Love, he said, "were written in an unusual period of recovery of creative power after Dr. Williams's first serious illness in 1952." Aside from featuring the variable foot and such outstanding poems as "Asphodel," these two books impressed readers as the mature work of a poet very much in control of his life and craft. Reviewing Desert Music, Kenneth Rexroth called the title poem "an explicit statement of the irreducible humaneness of the human being." The book's ideas are "simple, indisputable, presented with calm maturity," continued Rexroth. "I prophesy that from now on, as Williams grows older, he will rise as far above his contemporaries as Yeats did in his later years." The love poems of Journey to Love were no less impressive to Babette De...
