ct of a solitary life. She chooses, caught in this dilemma, to take risks rather than protect herself through isolation. Barbara Hill Rigney contends that commitment to [the] human condition, no matter how malignant, and for an engagement with life, with reality, no matter how brutal or absurd.” In this respect, Estelle is admirable. She possesses a sense of humor, and she struggles to cope as cheerfully ad possible with her fear of rape. She does not withdrawal Bloom, 8from human connection; she struggles to establish such connections in spite of vulnerability and fear. (Tyler, 4)Bloom, 9BibliographyPerrine, Laurence: Literature Structure, Sound, and Sense, fourth edition; 1984: Harcourt Brace Jovanovich Publishers; New York, NY.Atwood, Margaret. “Rape Fantasies.” Texts for English Composition. N.p.: McGraw-Hill Primus, 2000. 30-37.Tyler, Lisa. “Teaching Margaret Atwood’s ‘Rape Fantasies.” I Just Don’t Understand It. Dec. 2000: 2-3 Iris Proquest Direct. Rutgers University Library Camden. 1 Dec. 2000* http//www.Rutgers.edu/proquest/*.Walter, Catherine. “The Unreliable Feminine Voice in Rape Fantasies”. Oct. 1998: 1-5 Iris. Proquest Direct. Rutgers University Library Camden. 1 Dec. 2000* http//www.Rutgers.edu/proquest/*....
