sound bites. The need to educate and inform the audience is the voiced rationale for getting the so-called guests to give ever more titillating details of their misdeeds, or of the misdeeds done to them by family or friends (often not on the show). The underlying assumption -- that most social pathology is the result of a medical problem beyond the control of the so-called "victim" -- encourages, at least indirectly, people to come on to these shows confessing outrageous stories of anti-social behavior to millions of strangers. Rather than being mortified, ashamed, or trying to hide their stigma, "guests" willingly and eagerly discuss their child molesting, sexual quirks, and criminal records in an effort to seek "understanding" for their particular disease. Yet these people remain caricatures, plucked out of the context of their real lives, unimportant except for their entertaining problem. (In real life someone might question the benefits of publicly confessing to people who really don't care about you or don't have the expertise to give advice. Exploitation, voyeurism, peeping Toms, freak shows all come to mind.) The central distortion that these shows propound is that they give useful therapy to guests and useful advice to the audience. And that they are not primarily designed to extract the most riveting and most entertaining emotional displays from participants. This leads to such self-serving and silly speeches by hosts as: "I ask this question not to pry in your business but to educate parents in our audience" (Oprah, trying to get graphic details from a female guest who claims to have been sodomized by her father) and "Do I understand, Lisa, that intercourse began with your dad at age 12, and oral sex between 5 and 12? Do I understand that you were beaten before and after the sexual encounters? (Phil, reading from prepared notes, to a crying teenager). The audience at various points in the h...
