ars, running perpendicular to each other, cast a shadow in the shape of a cross. Anironic twist comes as a result of many things. First, there are two Christians planning tocommit adultery. This is both a crime and sin in the Christian religion. It is also ironicthat it is the holiest of holidays, Christmas. Next, there is an appearance of a cross on thehead of Almasy. Along with the separation of the two by the window, these other factorsare attempting to hint to them not to go through with their plan. The cutting rhythm of this scene is quite dynamic. After we see the shadow onAlmasy's face, the camera cuts numerous times in a quick manner and displays the facesof numerous characters. The camera pans as Katherine walks back to her originalposition before going to the window. At this point she is located around the upper left toupper middle portion of the screen. The only lighting observed is the key lightingcoming from the sun. To the right of her is the table where the soldiers sit. They aredressed in uniform, facing one another across the table as they prepare for a toast. Inunison, everyone in the room raises their glasses and chants "Merry Christmas." At thisprecise moment the camera is located at a high position directly above the courtyard,tilting down. The downward tilt gives the feeling of being controlled, restricted, or evenspied upon. This adds to the suspense and drama of what is yet to come.Immediately following the toast, Katherine begins to follow up the conspicuousplan. Minghella uses on a normal lens for this shot. Both Katherine and her backgroundare in focus. Also, in view at this time is Count Almasy, still in his position behind thebars of the window watching the acting Katherine. The window is shown at the middle ofthe right third of the screen. Katherine fakes an illness and then denies permission to an escort who offers totake care of her. She meets up with Almasy in a doorway and walks behind ...
