amations about artistic integrity that he himself would often not respect. He clearly was no longer the shy young journalist he had been for the Kansas City Star. He had become Papa. Even with the beautiful surroundings of the Key West, Hemingway still longed for Spain. At the time he was tediously working on Death in the Afternoon, a marvelous, intriguing and powerful look at the bullfight. Although at times overdone, Death in the Afternoon will capture greatness and power in the minds of its readers, even those that are most disgusted by the bullfight. After Ernest finished Death in the Afternoon and Pauline gave birth to another boy, they set off for Africa. It was there that Hemingway hopped to find the true meaning of heroism. Three stories would result from the events of Africa. The Green Hills of Africa, which lacked effective meaning and carried a false tone of masculine hunting spirit, was the least successful. The Snows of Kilamanjaro was a much more potent tale about the hunt. Arguably one of Hemingway's best, it drew from the troubles of a broken Scott Fitzgerald to depict the guilt of a talented yet unacomplished artist as he faced death. The last short story to result from Africa was The Short and Happy Life of Francis Macomber, which seeks the meaning of courage. The Spanish Civil War became official in July, 1936. Hemingway was offered a liaison's job by the North American Newspaper Alliance (NANA). He accepted, much to Pauline's opposition. Being a newsman, officially he remained neutral throughout the war. Despite this, Hemingway could often be overheard raising funds at social gatherings in America to fight the fascists back in Spain. In 1940, after the end of the Spanish Civil war Hemingway published For Whom the Bell Tolls. His long divorce with Pauline came to an end, and he married Martha Gellhorn. This would turn out to be the shortest and least understandable of his four marriages. During the Second World War, h...
