ith Love’:In the Dread of Difference). She adds that images seem to superimpose one on the other, understanding the screen as a pictorial plane rather than as a lived scene and images dissolve into others based on visual similarities and meanings. (give example)The film is fragmented interms of story, decentred when are talking of the characters within it, and artificial/fake when it comes to sets and acting. According to Dika,, surrealism can often be cited in the films tendency for combustive combinations and for disruption of its internal continuity. In Eraserhead the films narrative transitions do not have conventional Hollywood invisibility and linearity....
