involvement gives insight into the emergence of the English Masque of the Middle ages 2) allows for a connection with the ritual structures that help create the emergence of 'the restructural circus' - into the modern era and 3) is consistent with the composite aesthetic strategies of the ancient period documentation that saw the inclusion of animals, nature and the total community as one of the aesthetic functions of form. In the first instanced, the use of parade experiences in video tape number one shows the position of 'line forming logics ( strategies) as a formal tool that allowed for the greater unity of the community as well as the most efficient construct to allow for group mobility ( and target spatial objectives). The concept of parade ceremony in this context is also connected with the outline of target direction (path route) that the parade passes. In this structural 'experience-state' we are given an opportunity to reflect on the weight of social and political relationships and the 'order of encounter strategies' that reflect social and political cultural values. To understand the significance of parade structural dynamics and its relationship to Jola ritual ceremony is to notice that the route a given parade passes is consistent with the importance of symbolic recognition and respect- both for the leaders of a given community and for the spiritual connection to the dead (who are also seen as not really dead, but rather in a state of change). It is this aspect of recognition that would form the basis of the restructural English Masque ceremony of the middle ages- that being; a) the use of parade formations that activated the start of the festival season b) the use of dance as a composite factor that helped to emancipate the move towards social dance 'vibrational acceleration', and c) the adaptation of conceptual themes from Africa that involved transformation ( from black, represented as evil, to white, represented as godl...
