plev hopes to show Nina that Trigorin has the power to manipulate not only her, but also his mother Irina. In trying to prove this point to her, he says, "A fine character! you and I nearly quarrel over him, while he's in the drawing-room or garden or somewhere, laughing at us, and - drawing Nina out, trying to make her see what a genius he is" (II, P. 96-7). Both of these conflicts are primary to the play and the development of the characters. These problems are also complicated by Irina's obsession with being the center of attention. Treplev is most often at the receiving end of her need for attention, but she does not neglect the other characters of the play when it comes to her egotism.Complicating many of the problems in the play are somewhat minor conflicts between the main characters. These complications are centered on Irina, who feeds her ego at the expense of others. The focus of Irina's flaunting is Treplev, who becomes suicidal after feeling neglected. She says to Masha, "You're twenty-two and I'm nearly twice as old. Now Dr. Dorn, which of us looks younger? (after her responds, "you"). And why? Because I work, I feel, I'm always on the go while you (Masha) stay put - you're only half alive" (II, P. 82). Not only does Irina complicate the play by undermining Treplev's efforts, but also those of Nina. She says to Nina, "yes, and so nicely dressed and attractive - what a good little girl" (II, P. 83). Irina sees Nina as a threat, not only because she is young, but also be cause she is a budding actress. In order to maintain her status as the famous actress, Irina must keep herself at the center of attention, even if it is in front of middle class farm dwellers. Although Irina may see no harm in her comments and interruptions, they do affect her son, Treplev, who is an aspiring playwright. This complication of the conflict between Treplev and Trigorin leads to the climax of the play.The ongoing argument betwee...
