) reinsures his coy mistress that 造ou deserve this state?(state of praise and high acknowledgment), 處ut at my back I always hear, Time零 winged chariot hurrying near? Andrew Marvell uses and interesting image in line 22 (the line mentioned above) when suggesting to his coy mistress that death is near. He substitutes the word 責eath?for a more gentle, delicate term of 袍ime零 winged chariot? This term was probably used to prevent from frightening such a coy mistress. Marvell continues to involve the reader零 imagination through unimaginable images. What do 蛇eserts of vast eternity?look like? In fact, Marvell probably used such abstract images to suggest to his coy mistress that their future is indeterminable, and 袍hy beauty shall no more be found? Perhaps, beauty is what the coy mistress is so concerned with and the speaker in this case is trying to frighten her to have sex with him quicker. He continues to use intense imagery when describing to his coy mistress that even after death the 逕orms shall try That long preserved virginity? The speaker now abstractly describes that holding on to your virginity for life is no good, because her body will be raped of worms and her virtue will turn to dust after death. The last stanza strongly urges for him and his coy mistress to act now and 蚯et us roll all our strength and all Our sweetness up into one ball? Through the imagery in this stanza he [the speaker] seems irritated by the pressures of time, and the stubbornness of his coy mistress. Marvell uses action words and images to portray the speaker零 short patience such as 赧nstant fires? 豚irds of prey? 袍ime devour? 莧nd tear our pleasures with rough strife? 軛ake him run? These images create an instant picture in the reader零 mind that depict the speakers anxiety. Also, in lines 33, 37, and 38 Marvell uses the word 術ow?to ...
