scene that conjures up the image of power and control is the music playing in the background. The music is loud, brassy, big-band-type music and it is such that it adds to the effect that the camera work is providing.Once in the office Jim is instantly pounced upon by Pando’s men. The following minute or so is a struggle between Jim and Acko, one of Pando’s men. In the struggle Jim is trying to get the $10,000 from down the front of his pants while Acko is trying to strangle Jim with the cord from the telephone. The scene consists of numerous almost instantaneous cuts between the faces of Jim, Acko, Pando and the rest of his gang. This scene is quick and is a prime example of production elements being used to draw the viewer into the film. After Jim has returned the money not only have the attitudes of Pando and his men completely been reversed, but all of the storyline elements from the opening sequence that were left unanswered have now been explored if not resolved.The next scene, the scene after Jim returns to his apartment and is seen at the airport with Alex is another example of storyline elements being resolved. The way in which the pair were portrayed in the Kings Cross scene implied that their relationship in the film would be more than just friends. The assumptions from the scene in the cross made by the viewer have been developed as the movie progressed.To conclude I would simply like to add that all the things I have been talking about have been purposefully put into the film. None of these things have been done so accidentally as it was the Director, Gregor Jordan’s intention to make the viewer more interested through incorporating the aforementioned combination of Production and Story elements....
