bject matter. It appears to be a man, possibly a warrior. He is larger in size, and is defined well physically. His facial features are extremely stylized and lack detail. His bulky and overwhelming size makes it hard for one to look at. His shirtless upper body is shown in great detail in a type of circular fashion. It is anything but naturalistic. It is highly exaggerated in a way that makes him appear bigger than he actually may be. His lower body is covered from his hips to his knees with clothing, which bares resemblance to a kilt of dress. He has something on his head, which resembles a ponytail but could also pass from some type of headdress. He is also wearing enormous sandals from which his immense feet protrude.The texture of the surface of this sculpture is extremely rough, obviously due to the material from which it was made from. This roughness is somewhat appropriate in that it displays this characters intense anger. The garb of this statue is smoother than that of the flesh, and hangs down to the back of his feet. It flows in a natural way, creating a sense of depth and dimensionality that the rest of the statue lacks. The wavy, curvy lines found throughout his attire makes the eye move around the lower portion of the body, and brings the eye upward toward the chest and stomach region. It seems to define the legs in a well noticeable fashion, and it displays the muscle tone and leg structure more.Light and shadows help this piece greatly. They help to define everything found throughout it. The light and the shadows give the figure a definite look of three- dimensionality that it may lack with out. This takes away any possible way for this statue to appear static or boring. The light seems to highlight the forehead mainly near the lower brow. It brings depth to his inner arms while intensifying the musculature in his chest and stomach as well. The shadowy are brings out the fierce look and attitude in the face a...
