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medievel

medievel It is amazing how significantly various aspects of society can and will change over a prolonged period of time. Between the time periods of the Medieval era and the Renaissance, one can note numerous significant changes, mainly those pertaining to art and religion. In general, ideals and subjects during the Renaissance became more secular. In Medieval times, people seemed to focus mainly on the church, God, and the afterlife; whereas during the Renaissance, the focus was more secular: humans and life on earth. Although these two eras differ in many ways, the most concentrated differences deal with the realms of architecture, painting, and philosophy. Architecture noticeably shifted from religious awe to classical reason between the Medieval era and the Renaissance. During the Middle Ages, architecture was aimed mainly at making advancements in the church. Medieval cathedrals had very distinct features, such as pointed spires, which were exactly that -- spires, or steeples, that were pointed and extended upward from the tower area; the rose window, which was a large stained glass window that was located on the front of the tower; and squared-off exterior walls, which were a contrast to the usual rounded exterior designs that people were accustomed to. Overall, cathedrals during this time could have very elegant features due to the excellent techniques of support and stabilization. Buttresses, simple extensions of the cathedral wall to enhance support, and flying buttresses, stone structures set away from the cathedral wall and attached at the top, contributed to the excellent support that Medieval cathedrals experienced. While architectural advancements during the Middle Ages were concerned mainly with making elegant reformations in the structure of the cathedral, architecture during the Renaissance was much less religion-centered, and revolved more around classical reason and secularity. Architecture in this time was concentrated mostly with the design of castles, such as the home of the prevailing Italian Medici family, perhaps the richest family in Europe. Architectural focus had changed from the cathedral in the Medieval era to other, more classical and secular subjects, such as castles and homes of significant rulers. The style, subjects, and overall attitude of painting was something that underwent very significant changes during the progression from Medieval times to the Renaissance. Generally, paintings became more secular, and less focused on aspects of the church, as the Renaissance approached. Medieval paintings seem to be focused almost entirely on religion and are given heavenly attributes, while paintings of the Renaissance consist mainly of secular subjects and contain much more realism, especially noted in human subjects. In Giotto's Madonna With Child, a Medieval painting, any observer will obviously notice that the child and woman are very awkwardly proportioned, indicating However, in the Mona Lisa, by DaVinci, and The Marriage of the Virgin, by Raphael, both paintings of the Renaissance, it is evident the amount of realism that the artists were attempting to portray. Both of these paintings are extremely realistic, seemingly three-dimensional, very well-proportioned, and involve large amounts of shading to accentuate the realism. When considering the subjects of Medieval painting, the majority of them were religious oriented or somehow involved the church, whereas religion or the church was seldom involved in Renaissance paintings. Rather, paintings of the Renaissance involved mostly secular subjects, as seen again in DaVinci's Mona Lisa and also Raphael's The School of Athens. In the case of the Mona Lisa, the subject is a typical woman with a very sublime smile, but with no apparent religious association whatsoever. The same applies to The School of Athens; it is a painting of a group of Bibliography:

Word Count: 598