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Gospel

ow. This was only once incident in the rising tide of racism. (1) Once again, another opportunity opened up for Mahalia to go on television. Dinah Shore, a top TV personality of the day, insisted that her network, CBS enter into a contract with Mahalia, having her appear on the ?Dinah Shore Show?. Mahalia agreed and was quite pleased with her wide reception. This TV appearance brought along with it numerous opportunities for Mahalia. Columbia offered new recording dates, numerous TV guests shots, and various nightclubs offers. (2) In 1958, Douglas Sirk directed the film Imitation of Life, and asked Mahalia to be a part of this movie. Mahalia agreed and played the part of Louise Beaver, a happy ?colored? servant. After this films release, Mahalia made a guest appearance on TV with Bing Crosby and Dean Martin. She was in the business big time and was making big money. The fame and success she had always dreamed of was becoming a reality. (4) The call and response gospel style was Mahalia?s signature and Mildred never lost her way with that style. Without Mildred?s blues chords, triplets and four-four bouncing, Mahalia?s art would have been much weaker. Mildred have Mahalia the latitude she needed along with the freedom to adlib new lyrics, break time and alter the melodies in the heat of building the meaning of the song. Unfortunately, the conditions under which Mildred worked for Mahalia were poor. (1) Mahalia tended to be cautious with her money and ...

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