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The Aerosmith Story

hit, reaching number 59. For the next year, the band built a fan base by touring America, supporting groups as diverse as the Kinks, Mahavishnu Orchestra, Sha Na Na, and Mott the Hoople. The performance of Get Your Wings (1974), the group's second album and first produced by Jack Douglas, benefitted from their constant touring, spending a total of 86 weeks on the chart. Aerosmith's third record, 1975's Toys in the Attic, both commercially and artistically. By the time the album was recorded, the band's sound had developed into a sleek, hard-driving hard rock powered by simple, almost brutal, blues-based riffs. Many critics at the time labelled the group as punk rockers, and it's easy to see why -- instead of adhering to the world-music pretentions of Led Zeppelin or the prolonged gloomy mysticism of Black Sabbath, Aerosmith stripped heavy metal to its basic core, spitting out spare riffs that not only rocked, but rolled. Steven Tyler's lyrics were filled with double entendres and clever joke and the entire band had a street-wise charisma that separated them from the heavy, lumbering arena rockers of the era. Toys in the Attic captured the essence of the newly invigorated Aerosmith. "Sweet Emotion," the slyly funky first single from Toys in the Attic, broke into the Top 40 in the summer of 1975, with the album reaching number 11 shortly afterward. Its success prompted the re-release of the power ballad "Dream On," which shot into the Top Ten in early 1976. Both Aerosmith and Get Your Wings climbed back up the charts in the wake of Toys in the Attic, peaking at number 21 and 74 respectively. "Walk This Way," the final single from Toys in the Attic, was released around the time of the group's new 1976 album, Rocks. Although it didn't feature a Top Ten hit like "Walk This Way," Rocks went platinum quickly, peaking at number three. In early 1977, Aerosmith took a break and prepared material for their fifth album. Released late in 1977, Draw...

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