s turn, it is symbolic of how Faustesse has reached the end of her physical life, and has in fact, with only her soul to forever live on in eternal damnation. The stage is no longer moving, and physical time is no longer moving forth either. Although it may make coherent sense to compliment the moving stage with scenery changing over time, I however would choose to have the same standard scene as the background for all Faustesse scenes. Using the same background scene would represent that although time has passed, and times outside of Faustesse have been changing, she herself has still not matured past the reverie of the power she was given for anything but trickery, and so despite any smarts attained during her initial education, has hence not grown intellectually at all for she has not used her power for any productive reasoning. Thus, I feel, the stagnant background will for that reason accurately represent the non-existent change of Dr. Faustesse, even over and throughout a physical conception of time. One feature of the play which I feel will add a general feeling to the play is that of music and sound effects. I would use very disharmonic sound effects throughout the play. I think that this would help to empathize and draw out the disharmony of the play itself, and the idea of being torn between heaven and hell, as Faustesse very much is. Also, disharmonious sounds would leave the audience feeling confused, anxious, and unsure, which is how I believer they are supposed to feel throughout the play, while Faustesse is wasting away her power on silly tricks. One musical addition I would make for the play is that of introducing the chorus as a musical number. Whenever the chorus is meant to speak, instead there will be a musical number in which the lines of the chorus are the lyrics of the song instead. This will also contribute to the disharmony and discord, by having a song break out where it is somewhat inappropriate and least expe...
