that "if 'The Divine Image' is the hinge upon which the Innocence songs turn, we should expect to find a similar significance for Experience in ["The Human Abstract"]." But, disputing both Hirsch and Gillham, Thompson discounts the possibility of a satirical reading of the poem. He contends that "in the most simplified terms, the one is about the source of 'good', the other about the source and origin of 'evil.' Nor is it a plain opposite, a mere negation of the first." --Deborah Noel (December 1995) Bibliography Wicksteed, Joseph H. Blake's Innocence and Experience: A Study of the Songs and Manuscripts "Shewing the Two Contrary States of the Human soul". New York: E.P. Dutton and Company, 1928. Gleckner, Robert F. The Piper and the Bard. Detroit: Wayne State University Press, 1959. * a name="keynes"*Keynes, Geoffrey. (ed.) The Complete Writings of William Blake. London: Oxford University Press, 1966. Erdman, David V. (ed.) The Illuminated Blake. London: Oxford University Press, 1973. Bloom, Harold. Blake's Apocalypse: A Study in Poetic Argument. London: Victor Gollancz, 1963. 42-3. Hirsch, E.D. Innocence and Experience: An Introduction to Blake. New Haven and London: Yale University Press, 1964. 26-7. Gillham, D.G. Blake's contrary States: The 'Songs of Innocence and of Experience' as Dramatic Poems. Cambridge: Cambridge University Press, 1966. Holloway, John. Blake: The Lyric Poetry. London: Edward Arnold Publishers LTD, 1968. Leader, Zachary. Reading Blake's Songs. Boston: Routledge and Kegan Paul, 1981. Lindsay, David W. Blake: Songs of Innocence and of Experience. Atlantic Highlands: Humanties Press International Inc., 1989. Thompson, E.P. Witness Against the Beast: William Blake and Moral Law. New York: The New Press, 1993....
