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Tennyson Carlyle and the Tragic Hero

recognize the Lady for who she is. He only comments that she "has a lovely face" (L.S., 169) and thinks to offer her a prayer, as he might for anyone. Tennyson shows the distance between the hero and Victorian society in his poetry by commenting on this situation with mythological or legendary figures. He writes of people in a fantastic past that were once revered but are antiquated in Victorian society. Though he seems to be in concurrence with Carlyle in his expression that the hero is necessity, he is not wrong when he says that the Hero as Poet is unsuccessful in Victorian society. This is shown in the want of an audience or following for this timeless hero, and also in the distancing Tennyson creates with fictitious heroes in his poetry, such as King Arthur, Ulysses, the Lady of Shalott, Tithonus and Sir Galahad. This demonstrates the Victorian disconnection with the heroic, their uncoupling with the spiritual with the secular, and emphasizes the tragic nature of Carlyle's hero in Victorian society's period of crisis. ...

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