ges received by each retina become more and more similar. Therefore, for distant objects, your perceptual system cannot rely on binocular disparity as a depth cue. However, you can still determine that some objects are nearer and some farther away because of monocular cues about depth. MONOCULAR CUESClose one eye and look around you. Notice the richness of depth that you experience. How does this sharp sense of three-dimensionality emerge from input to a single two-dimensional retina? The answer lies in monocular cues, or cues to depth that are effective when viewed with only one eye.The problem of encoding depth on the two-dimensional retina is quite similar to the problem faced by an artist who wishes to realistically portray depth on a two-dimensional canvas. Some artists are amazingly adept at doing so, using a variety of monocular cues to give their works a sense of depth.Although there are many kinds of monocular cues, the most important are interposition, atmospheric perspective, texture gradient, linear perspective, size cues, height cues, and motion parallax.1) INTER POSITIONProbably the most important monocular cue is interposition, or overlap. When one object overlaps or partly blocks our view of another object, we judge the covered object as being farther away from us. This depth cue is all around us—look around you and notice how many objects are partly obscured by other objects. To understand how much we rely on interposition, try this demonstration. Hold two pens, one in each hand, a short distance in front of your eyes. Hold the pens several centimeters apart so they do not overlap, but move one pen just slightly farther away from you than the other. Now close one eye. Without binocular vision, notice how difficult it is to judge which pen is more distant. Now, keeping one eye closed, move your hands closer and closer together until one pen moves in front of the other. Notice how interposition makes depth p...
