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Sigmund Freud

ave taken on masculine role. After all, by 18 she was the main breadwinner in the house. Perhaps she wished to possess her mother, since she had taken on the male role.When she married, this psychosexual confusion was not resolved. In fact, it may have been worsened by her husband's death. It is said that Jenny did not grieve for her husband. Perhaps she merely transferred her womanly affection onto Ross, expecting a relationship from him that was like that of a lover and not a son. Her jealousy over his girlfriends and her kisses under the moonlight certainly point towards unnatural feelings towards him. Perhaps, with Ross' birth, she was able to find a replacement for her lack of penis. Ross may have been a projection of her true masculine nature. She was able to live her life in the masculine image by being one with Ross. When he died, she kept his robe and pipe, thus cherishing the remnants of her/his masculine identity. Her love of Ross gives an impression of an incestuous relationship. She has fits of jealousy over his lovers, calls him, "sex mad" and talks of him like a lover ("kissed under the stars"). She is very delusional when she believes that to Ross, she is responsible for his existence but that he owes her nothing. Her actions speak contrary to this. She is the perfect martyr, constantly making exaggerated sacrifices for Ross. In reality, she expected him to repay her with undying devotion. She wanted to possess him.Her friendships with women are also strained. She impulsively becomes close friends with them, but soon becomes alarmed and fights off her attraction. Unconsciously, she may experience homosexual panic - perhaps denying that side of her own nature. Therefore, as a reaction formation, she turns against women acquaintances, calls them repulsive and finds their bodies fat and ugly. Instead of saying to herself, "I love her, for I am a male," her unconscious turns it into, "I hate her, she is disgusting." Women gi...

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