hing in society to bring about strong emotions, and any desires they have are almost immediately fulfilled. If anything is wrong, the people can take soma, a drug that makes you happy and high and has no adverse affects. One might be led to believe that this society is a perfect place to live, since all the inhabitants are eternally happy. There are no wars, pain, or suffering, all definite pluses, yet readers must not judge too quickly. Everything comes at a price, and the price that is paid for the new order is sadly high, costing the Utopians the benefits of high art, true religion, real science, and family life, which all have been removed to promote stability. "'Othello's better than those feelies.' 'Of course it is…But that's the price we have to pay for stability. You've got to choose between happiness and what people used to call high art. We've sacrificed the high art. We have the feelies and the scent organ instead.' 'But they don't mean anything,'" (Huxley 226) This conversation shows one of the tradeoffs made. Stories like Othello are inspired by strong emotions, and Utopia has done away with them. Now, there is nothing to write about, and if something was written along the lines of Othello it might cause people to think, causing instability. The movies people see are idiotic and plotless, based solely on sensations. Religion as we know it has been done away with also, as Mustapha Mond showed by his comments quoted at the beginning of this paper. Religion usually involves self-denial, and that is contrary to everything the new society is based on. With instant gratification and life long youth full of youthful distractions for all, any sort of conventional religion would change all of the people's actions. Following self-denial and morality, people would be unhappy, and the whole social structure would collapse. Although science is supposedly glorified, real science has been done away with, for as Mond points out, "'...