ch will violate our right to view any and all programming that WE see fit. In the spirit of cooperative societal decision making, the following suggestions appear to be unequaled in their non-partisan advisory quality. Furthermore, this would appear to be the only thoroughly contemplated reasoning that has occurred on any side of this issue. We will now examine what the role of each individual participant in this quandary should, in my opinion look like. Recognize that Practices and Standards departments are an inexpensive investment for the networks' own peace of mind. The executives who run these departments at all four networks are extremely knowledgeable and should have unimpeded access to the highest levels of senior management. "Except in very rare instances, these departments should have the final say on the treatment of issues of violence. To program standards executives: apply to yourselves the standards you would apply to your competitors". (UCLA 16) The television creative community should recognize the risk that violence in television and film can be used to substitute for good writing. The best writers and producers in television can create characters and compelling stories without unnecessarily filling the program with the scenes of violence. Through your own organizations such as "The Caucus for Producers, Writers and Directors, the guilds and the Academy of Television Arts and Sciences hold meetings and discussions on issues related to the use of violence: showing consequences, graphic-ness, the need for context and techniques to avoid over reliance on scenes of violence. Include the network's development executives in these discussions." (UCLA 16) The government must understand the important role that it plays in the issue of violence in the media. Do not underestimate your power to shape public opinions. As much as possible, speak to the television industry with one voice. Use your powerful voice to encourage, persuade...
