he structure and composition of the novel itself help to illustrate how much and for how long white ideas of family and home have been forced into black culture. Instead of conventional chapters and sections, The Bluest Eye is broken up into seasons, fall, winter, spring, and summer. This type of organization suggests that the events described in The Bluest Eye have occurred before, and will occur again. This kind of cycle suggests that there is notion that there is no escape from the cycle of life that Breedloves and MacTeer live in. Further, dividing the book are small excerpts from the "Dick and Jane" primer that is the archetype of the white upper-middle class lifestyle. Each excerpt has, in some way, to do with the section that follows. So the section that describes Pecola's mother is started with an excerpt describing Dick and Jane's mother, and so on. The excerpts from "Dick and Jane" that head each "chapter" are typeset without any spaces or punctuation marks. The "Dick and Jane" snippets show just how prevalent and important the images of white perfection are in Pecola's life; Morrison's strange typography illustrates how irrelevant and inappropriate these images actually are. Names play an important part in The Bluest Eye because they are often symbolic of conditions in society or in the context of the story. The name of the novel, "The Bluest Eye," is meant to get the reader thinking about how much value is placed on blue-eyed little girls. Pecola and her family are representative of the larger African-American community, and their name, "Breedlove," is ironic because they live in a society that does not "breed love." In fact, it breeds hate; hate of blackness, and thus hatred of oneself. The MacTeer girls are flattered when Mr. Henry said "Hello there. You must be Greta Garbo, and you must be Ginger Rogers", for the names ring of beauty that the girls feel they will never reach. Soaphead Church represents, as his name sugges...
