le, white light focused on the center of the stage, giving it a bit of a glow. Since we had three characters, we decided to act out three stages in life: the child, the teenager, and the adult. The child was dancing in the center of the stage, playing with the light, dancing with imaginary friends, happy, carefree, oblivious to its surroundings, and interested only in the moment. The teenager was standing just beyond the light of childhood, attempting to interact with the child, but never actually crossing the light. She would circle around it, look inward with longing, then turn with her back to the light, facing adulthood with fear and trepidation. She would take a few steps in one direction, then turn the other way, and take a few more steps, as if she were lost and confused, like in a maze. She could always see the child behind her, but not the adult in front of her. The teenager's movements were mostly turns, implying confusion, and constant changes of direction. The adult was seated on the edge of the stage, watching the action. She began as an observer, as if remembering her past, but as the dance continued, she would stand up, walk around a little, then sit back down again, making good use of levels, but never distracting from the main action. The adult was reminiscent; she watched and reacted to the other two as if reliving her time as a teenager and her apprehensions on growing up. We were expressing our fears and worries through body movements and non-verbal expressions. Each of us had the chance to play all three roles, so we could experience three diffe...
