l man was that of his own salvation. The existence of God was never questioned and the heart-cry of medieval society was a desire to know God and achieve intimacy with the divine. Leading a life pleasing to God was the uppermost concern, and the wide diversity of medieval piety is simply because people answered the question, 'How can I best lead a holy life?' in so many different ways. Beginning with "The Pardoner's Tale", the theme of salvation is truly paramount. Chaucer, being one of the most important medieval authors, uses this prologue and tale to make a statement about buying salvation. The character of the pardoner is one of the most despicable pilgrims, seemingly "along for the ride" to his next "gig" as the seller of relics. "For myn entente is nat but for to winne,/ And no thing for correccion of sinne," admits the pardoner in his prologue. As a matter of fact, the pardoner is only in it for the money, as evident from this passage:I wol none of the Apostles countrefete: I wold have moneye, wolle, cheese, and whete, Al were it yiven of the pooreste page, Or of the pooreste widwe in a village -- Al sholde hir children sterve for famine. Nay, I drinke licour of the vine And have a joly wenche in every town. In his tale, the Pardoner slips into his role as the holiest of holies and speaks of the dire consequences of gluttony, gambling, and lechery. He cites Attila the Hun with, "Looke Attila, the grete conquerour,/ Deide in his sleep with shame and dishonour,/ Bleeding at his nose in dronkenesse". The personification of the deadly sins, along with his story of the three greedy men that eventually perish at the hands of their sin is a distinct medieval device. The comic twist that Chaucer adds to the device, though, is that the Pardoner in himself is as the personification of sin, as is evident from the passages of his prologue. At the conclusion of his tale, the Pardoner asks, "Allas, mankinde, how may it bitide/ That to thy Crea...
