zation that he in fact wants to make his future. And that future entails working in the outdoors on a farm. The other reasoning behind this life decision is of course, is to go against the wishes and values that his father has tried to instill in Biff his entire life. Biff pours his heart to his brother Hap one quarter through act I. .."To devote your whole life to keeping stock, or making phone calls, or selling or buying. To suffer fifty weeks a year for the sake of a two week vacation, when all you really desire is to be outdoors, with your shirt off ..." Fortunately for Biff, he determines his future by the play's conclusion. He comes to the understanding that he and Willy were never meat to be business men. Including that they were intended to be working on a farm with their hands. And after vexing to procure Hap to come with him (which is to no avail), he escapes from his home to continue on with the rest of his life. Which for Biff seems to be the soundest choice, the decision that Willy just couldn't make. Hap on the other hand stays with his father, and at play's end decides to follow in Willy's footsteps. That of course is to succeed at business at all costs. Both the stage and screen rendition utilize a melange of distinct effects to set the tone and to enact the specific place where the action transpires. For example the stage interpretation utilizes a unique convention that involves walking through the set to delineate circumstances in the past, or episodes going on inside the mind of Willy. This illusion can be easily created with specific crossfades and musical underlay, and of course willing suspension of disbelief. Divergently, in the screen production the set is obviously utilized in a completely different manner. On that account the movie uses a distinct fading and brightening lighting technique, that still stays true to the conventions set forth by the playwright. The one device that the screen produc...
