Data Bases
Custom Term Papers
Free Term Papers
Free Research Papers
Free Essays
Free Book Reports
Plagiarism?
Links
Top 100 Term Paper Sites
Top 25 Essay Sites
Top 50 Essay Sites
Search 97,000 Papers @ DirectEssays.com
Search 101,000 Papers @ ExampleEssays.com
Search 90,000 Papers @ MegaEssays.com
Free Essays
Term Paper Sites
Chuck III's Free Essays
Free College Essays
TermPaperSites.com
Free Essays
My Term Papers
Essay World
Planet Papers
Search Lots of Essays
Back to Subjects
-
Shakespeare
macbeth2
macbeth2 Could someone who kills innocent people possibly be considered a hero? In William Shakespeare's tragic drama "Macbeth" this question is raised. According to the Greek philosopher Aristotle there are certain requirements that categorize a person to be a tragic hero, some of which Macbeth does possess. However, Macbeth does not complete the entire cycle of requirements. Although many readers believe that Macbeth exemplifies Aristotle's tragic hero, in reality he does not comply with this definition. He is not outstanding and virtuous, nor does he achieve insightful recognition or redemption. Macbeth is not outstanding and virtuous because someone who needs to brutally kill someone else to get what they want does not fit the characteristics of a hero. He does many things wrong. Macbeth's over-zealousness for political power leads him to the murder of Duncan, the assassination of Banquo, and finally to the slaughter of Macduff's family. These events urge the uprising that eventually costs Macbeth his crown and his life, not to mention the wife he loses along the way (Studer 1). Worst of all, Macbeth disturbs the balance of nature. If he had just waited for his time, he would have been king, and have had a chance to enjoy it. Macbeth is not a tragic hero because a man is responsible for his own actions and this is the case with Macbeth. By deceiving and murdering his friends, he proves he is not a hero. He lets himself be corrupted by the prophecies of the witches. This weakness demonstrates that he lacks the qualities to be a hero (Johnson 1). He also neglects his wife in her time of mental instability while he is drunk with power. After Lady Macbeth participates in the killing of Duncan, her psychological status gradually shifts downward. She gets to the point of deliria, feeling guilty for the gruesome murders her husband is committing. This is exemplified in the quote: Out damned spot! Out, I say! One: two: why, then 'tis time to do 't. Hell is murky. Fie, my lord, fir! A soldier, and afeard? What need we fear who knows it, when none can call out poe'r to accompt? Yet who would have thought the old man to have had so much blood in him? (314). When Macbeth becomes conscious of her hopeless condition he shows no pity or love. He becomes angry with the doctor as to why he cannot cure her, however he never shows any further interest of her condition. When made aware of her suicide, he expresses no grief, claiming that it was inevitable. "She should have died hereafter; There would have been a time for such a word (320)." Furthermore, Macbeth is not a tragic hero because he does not achieve insightful recognition. He loses any respect he had from the nobles and the people of Scotland. "This tyrant whose sole name blisters our tongues, was once thought honest: you have loved him well;" (304). In the beginning of the play, Macbeth is merely a nobleman and a Scottish general in King Duncan's army. Macbeth later becomes the deserving Thane of Glamis and Cawdor and the undeserving King of Scotland. (Dominic 255). Macbeth also kills his former best friend Banquo. A true hero would never extinguish his allies or friends. Banquo is killed because he knows too much about the murder of Duncan. But that is not his fatal flaw. Banquo's fatal flaw is that although he knows that Macbeth killed Duncan, he really does not do anything about it. He did not deserve death, just because he did not act quickly in telling someone that Macbeth killed Duncan. Finally, Macbeth is not a tragic hero because he does not achieve redemption or insightful recognition. While committing his malicious sins and killings he shows no remorse towards his actions. He becomes such a careless man, letting his malevolent ambition take over all of his actions. The only remorse that ever enters Macbeth's body is when he is finally faced with the fear of his own death. Even though Macbeth realized what he did was wrong, he would have continued the killings if the witches led him on further. Although Macbeth's rise to power and his decline from it are partly the fault of the witches, Macbeth brings it upon himself to commit the murders. Every time Macbeth finds out information from the supernatural about his future, he acts directly on it (Scott 281). By taking the predictions of his success, by believing the warnings of his doom, and by trying to act upon and turn each to his favor thereby bending fate's will, Macbeth does nothing more than solidify fate's hold on him. For every thing Macbeth does only increases the quickness with which his fate strikes him down. Macbeth takes every one of the apparitions and foreshadowing statements of the supernatural beings as absolute truth. Had Macbeth been a strong and individualistic man, he would have never attained such arrogance as to claim that no one of natural birth could kill him. While this arrogance allowed him to fight with admirable courage at the early part of Malcolm's invasion, this same arrogance and human imperfection was again his downfall when he became terrified of Macduff and lost the battle that resulted in his decapitation. In conclusion, Macbeth his not a tragic hero because he not outstanding and virtuous, and he does not achieve insightful recognition or redemption. Shakespeare, William. Macbeth. Literature: The British Tradition. Ed. Ellen Bowler, Douglas McCollum et.al. Englewood Cliffs, New Jersey: Prentice Hall, Brumbaugh, Robert S. Aristotle. Microsoft Encarta 1998 Encyclopedia. 1998 ed. Dominic, C. Catherine. Shakespeare's Characters for Students. Detroit - New York -Toronto - London: Gale Research, 1997. Scott, W. Mark, ed. Shakespeare for Students. Detroit - Washington, D.C.: Gale research, 1992. Studer, Jack. Tragedy in Macbeth. http://www.chattanooga.net/baylor/academic/english/studentwork/lucas/shakes/ Johnson, Christien. Macbeth, Not a Tragic Hero. http://library.thinkquest.org/2888/wwwboard/msg/5932.html Bibliography: Works Cited Shakespeare, William. Macbeth. Literature: The British Tradition. Ed. Ellen Bowler, Douglas McCollum et.al. Englewood Cliffs, New Jersey: Prentice Hall, 1994. 245-324. Brumbaugh, Robert S. Aristotle. Microsoft Encarta 1998 Encyclopedia. 1998 ed. Dominic, C. Catherine. Shakespeare's Characters for Students. Detroit - New York -Toronto - London: Gale Research, 1997. Scott, W. Mark, ed. Shakespeare for Students. Detroit - Washington, D.C.: Gale research, 1992. Studer, Jack. Tragedy in Macbeth. http://www.chattanooga.net/baylor/academic/english/studentwork/lucas/shakes/ Johnson, Christien. Macbeth, Not a Tragic Hero. http://library.thinkquest.org/2888/wwwboard/msg/5932.html
Word Count: 980
Copyright © 1998-2008
College Term Papers
, INC All Rights Reserved.
DMCA Notifications and Requests